Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Angelika Kauffmann
Selbstbildnis als imitatio

ID: 45091

Angelika Kauffmann Selbstbildnis als imitatio
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Angelika Kauffmann Selbstbildnis als imitatio


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Angelika Kauffmann

1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Amor und Psyche | Zeuxis Wahlt seine Modelle fur das Bildnis der Helena | Bildnis Miss Mosley Fruhe 1770er-Jahre | Der Maler Nathaniel Dance | Selbstbildnis in Landschaft |
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Karel Slabbaert
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tchaikovsky
Born: 7 May 1840 Birthplace: Votkinsk, Russia Died: 6 November 1893 Best Known As: Russian composer of The Nutcracker
CODDE, Pieter
Dutch Baroque Era Painter, 1599-1678 Dutch painter and poet. Frans Hals was once thought to have been his teacher, but there is no evidence for this. It is possible that Codde studied with a portrait painter, perhaps Barent van Someren (1572/3-1632) or Cornelis van der Voort (1576-1624), since most of his earliest works, from the period 1623-7, seem to be portraits. His earliest known dated work is the Portrait of a Young Man (1626; Oxford, Ashmolean), which precedes by a year his earliest dated genre piece, the Dancing Lesson (1627; Paris, Louvre). He was particularly productive in the 1620s and 1630s, painting mainly interior genre scenes. After the mid-1640s only portraits and a few history paintings, such as the Adoration of the Shepherds






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